The two pedals share the same layout and design, though the Bass Mono Synth has been optimized for bass signal. With eleven different synthesizers on each to choose from, let’s see if these pedals continue in EHX’s long-standing tradition of producing cutting edge products.įive knobs adorn the front of both the Mono Synth and Bass Mono Synth: a knob for choosing the synth emulation, a dry volume knob, a volume knob for the synth sound, a sensitivity control (which also has some dual functionality-more on that later), and a single “Control” knob that modulates a key parameter or two. Unveiled at NAMM 2019 along with the recently re-visited Attack Decay pedal, Electro-Harmonix’s Mono Synth and Bass Mono Synth are two new takes on processing your guitar or bass signal and turning it into a very convincing synth sound. Now, there are two more pedals that take a bit from the previous designs but also add something new. The Synth9 was a huge hit, as were the other entries in the series: the Mel9 and B9, which emulated the Mellotron and Hammond B9 organ, respectively. However, both retail for more than $250, and both lack the ability to save presets.Ī few years ago, Electro-Harmonix unveiled the Synth9 Synthesizer Machine, a polyphonic pedal that gave you the option of using one of nine classic synth-emulating voices, and allowed for the storage of nine preset sounds. Pedals like the MicroSynth and Bass MicroSynth have long been favorites both in the studio and on stage for their characterful analog filter and slider-filled UI, making it easy to dial in just the right settings, even using a toe. The Mono Synth and Bass Mono Synth pedals are the newest additions to Electro-Harmonix’s growing palette of synth emulations for guitar and bass.Įlectro-Harmonix has a deep history of producing pedals that can take a regular guitar or bass signal and spit out an otherworldly synth sound, be it gritty, jagged, or smooth.
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